Opening day was a ride, not without a few faggy meltdowns. Showed up at the theater, which I was really pleased with, people very nice, and then realized NONE of the sound worked. Sound cues, backup sound cues, nothing for an hour, and opening in 4 hours. CDs, which we burn on computer but tested on the most ancient CD player, wouldn't work. So we were really screwed. They got a cable for an ipod and then we happened to have the music on our iPhones, so now on top of a lighting plot that David was just learning hours before he now had to trigger the iPhone to play the music. Tonight we'll do sound on the laptop.
I'm VERY happy with the first show - for some reason, my voice was in really good shape, we switched the song at the end, different song and in a different place, when I'm giving David the elephant ring, it doesn't make the final song so weirdly close to the end of the show without being a finale. That went over well. Really good crowd. Susan Alexander (big laughs) and Heather Gold and some CSers.
Tonights show is the plumb spot, so we'll see. I get that NYC audiences are more about what's on the stage rather than how hot the audience is, moreso than SF audiences, or so it seemed to me. I'm a fucking authority on the subject, having done one show.
Yesterday was in my opinion as much of a triumph for my husband (the real life San Diego David) than for me, a number of people from other shows were astounded at how good my lighting design was for David having done lights just hours before. But he downloaded the lighting plot and figured out how to do things like backlight me when I did flashbacks so I was in sillhouette, which worked well, but which horrifyingly leaves me TOTALLY seeing everyone in the audience.
Anyway, I'm proud of myself, it still hasn't registered that I am performing in this massive MASSIVE city.